James Bond 007, seductive British secret agent, has been sent to the West Indies to investigate the disappearance of British agent John Strangway and his secretary. Once arriving, 007 becomes suspicious of scientist Proffesor Dent, who was the last person to have seen Strangway before he disappeared. After learning Professor Dent is working for a terrorist with a metal hand Dr. Julius No and Strangway is dead, 007 meets CIA agent Felix Leiter and his assistant Quarrel in Jamiaca. 007 and Quarrel head to the tropical island Crab Key, after encountering the beautiful Honey Ryder, 007 finds the island is Dr. No's secret lair and 007 and Honey are captured but Quarrel is killed. Where 007 learns Dr. No is has been disrupting the American rocket launches at NASA and he is out for world domination and plots to unleash his vengeance on the United States of America. Can James Bond defeat Dr. No and save the world?
Marion Crane works at a Real Estate Office in Arizona. She has a sister named Lila and a boyfriend named Sam. She wants to marry Sam, but the two do not have enough money, since Sam is still paying off his ex-wife's alimony, and she has a small job at Lowery's office. One Friday, December the eleventh, Mr. Cassidy, a rich oil tycoon, comes to the office to give Lowery $40,000 to buy a house for his daughter's wedding present. Lowery asks Marion to deposit the cash and she said she would. Instead, she packs up and heads for Fairvale to see Sam, with the money in her purse. She ends up at the Bates Motel where she meets Norman Bates, a troubled young man who seems to be obsessed with his Mother. After Norman feeds Marion dinner, she goes back to her room for a shower...
Joe, the saxophone player, is Josephine in the all girls band that he joined with Jerry, the bass violin player, to be one step ahead of the mob after witnessing the 1929 St. Valentine's Day Massacre in Chicago. After a train ride that sets a record for number of people in an upper berth, they are In Miami. Joe decides to be the man of Sugar Kane's dreams and invites her out to a yacht he doesn't have. But he can use Osgood Fielding's yacht if Jerry — as Daphne — will keep Osgood dancing. The pace gets even giddier when the Chicago mob arrives in Miami for a convention.
A remake of Alfred Hitchcock's film of the same name. A man meets a woman and goes home with her, only to find her murdered. When he finds out that she was a secret agent and that he's now mixed up in the matter, he must try to solve the mystery.
Joker Jackson and Noah Cullen are two convicts on a chain gang who hate each other. After a truck prison accident, they flee and are pursued by the police. While they're chained, the two are dependent on one another. When they eventually get rid of their chains, their hostility has been changed into fellowship and respect.
John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.
Esteemed criminal lawyer Sir Wilfrid Robarts has just returned to practice after suffering a heart attack and is supposed to be on a diet of bland civil suits. But the case of Leonard Vole, a charmer accused of murdering a rich middle-aged widow, proves irresistible — particlularly when Sir Wilfrid meets the accused's wife, the remarkable Christine Vole. Christine will appear as a witness: not the defense, but for the prosecution.
Bud Corliss is an ambitious college student with big plans for himself and an heiress, Dorothy Kingship. But then Dorothy goes and gets herself pregnant. It's his child, too, of course; but this ruins everything. Her moralistic father will disown her and will certainly never accept him. It seems he's trapped. Bud's mother knows something is troubling her son, but he won't talk to her about it. All she knows is that Bud doesn't want to turn out like his father, with holes in his shoes. He doesn't have to worry. As his mother says, when he turns his mind to something, he does it. Unknown to her, his thoughts have turned to murder.
An expedition is sent from Earth to Altair in the constellation of Aquilae (some 17 light years from Earth) to discover what happened to a colony of settlers on its fourth planet, Altair-4. What they discover is how and why an alien race of geniuses destroyed itself overnight while leaving their technology intact at some point in the distant, distant past.
Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town sheriff, File, for whom she harbors a secrect yen, won't take a chance — until the town suffers a drought and into the lives of Lizzie and her brothers and father comes one Bill Starbuck ... profession: Rainmaker!
One hot summer day in 1945, a train pulls into the tiny Californian whistle-stop of Black Rock for the first time in four years. The sole passenger, John J. Macreedy (Spencer Tracy), a war veteran with a crippled arm, gets off the train. He comes to the town to give a posthumous military award to a local Japanese farmer named Komoko whose gallant son died a hero's death in the very battle in which Macreedy lost his arm. The stranger is met with open hostility by the locals who have something to hide. When Macreedy discovers a sinister secret from the past, he gets engaged in a deadly game with ruthless adversaries.
Tough L.A. private eye Mike Hammer gives a ride to Christina, a frightened young woman he finds running along the road one night. His car is run off the road by unseen thugs. Hammer is knocked out and Christina is tortured in an unsuccessful attempt to get information from her. They are put back into Hammer's car which then is forced off a cliff. Hammer wakes up in the hospital. Velda, his trusty secretary, informs him that Christina is dead. Pat Chambers, Mike's policeman friend, tells him to stay off the case, but Mike thinks it might be a big story—meaning big money for him—because the FBI is interested. He, Velda, and Nick, his garage mechanic friend, start investigating in hopes of finding out why Christina was killed.
John Robie is a one-time cat burglar, now reformed and living a blameless life in a plush villa. When a fresh set of burglaries rocks the Riviera all bearing the hallmark of Robie's own robberies, he is the natural suspect. Robie sets out to catch the new burglar himself, mainly to prove his innocence. He is aided by an American heiress, who initially is convinced that he is actually guilty. The title of the movie is derived from the proverb "Set a thief to catch a thief"
The tranquility of a small town is marred only by sheriff Tod Shaw's unsuccessful courtship of widow Ellen Benson, a pacifist who can't abide guns and those who use them. But violence descends on Ellen's household willy-nilly when the U.S. President passes through town... and slightly psycho hired assassin John Baron finds the Benson home ideal for an ambush.
In 1950-something New York, an adventuresome free-lance photographer finds himself confined to a wheelchair in his tiny apartment while a broken leg mends. With only the occasional distraction of a visiting nurse and his frustrated love interest, a beautiful fashion consultant, his attention is naturally drawn to the courtyard outside his "rear window" and the occupants of the apartment buildings which surround it. Soon he is consumed by the private dramas of his neighbors lives which play themselves out before his eyes. There is "Miss Lonelyhearts," so desperate for her imaginary lover that she sits him a plate at the dinner table and feigns their ensuing chat. There is the frustrated composer banging on his piano, the sunbathing sculptress, the shapely dancer, the newlyweds who are concealed from their neighbors by a window shade, and a bungling middle-aged couple with a little yapping dog who sleep on the fire escape to avoid the sweltering heat of their apartment. ...And then there is the mysterious salesman whose nagging, invalid wife's sudden absence from the scene ominously coincides with middle-of-the-night forays into the dark, sleeping city with his sample case. Where did she go? What's in the trunk that the salesman ships away? What's he been doing with the knives and the saw that he cleans at the kitchen sink?
A sculptor of wax figures for a museum is horrified when his partner proposes setting fire to the unpopular museum in order to collect the insurance money. As the wax figures melt amid the blaze, the two men have a fight. The sculptor is knocked out in the scuffle and left to "perish" among the flames. He resurfaces many years later for the launch of his own wax museum. The opening coincides with the sudden disappearance of some dead bodies from the city morgue. His assistant begins to suspect his boss of foul play, especially after the deranged wizard of wax begins eyeing his assistant's lovely girlfriend's friend as a model for a waxed figure of Marie Antoinette.
"It wasn't a particularly good story, but I liked the atmosphere of Berlin after the war, and I wanted to work again with James Mason." Thus did director Carol Reed explain his decision to return to thrillers with The Man Between. Unfortunately, political conditions forced Reed out of Berlin before shooting wrapped, compelling him to complete the picture in the studio. Even so, the story of East Berliner Ivo Kern (Mason) who rescues Susanne Mallison (Claire Bloom), a British woman trapped in the Soviet Zone, is a minor masterpiece of suspense. Despite great danger to himself, Kern takes it upon himself to escort Mallison back to her family in West Berlin. After a daring dash through the countryside, the seeming impossible is achieved—but only through a conspicuous act of self sacrifice. Never completely satisfied with The Man Between, Carol Reed grudgingly admitted "It made back its money."
John Putnam and Ellen watch a great fireball going down near a mine. Both are the only ones, who believe the "thing" not to be a meteor but an alien starship. In the following days, people disappear and return, obviously being manipulated in a strange way. After a while, the sheriff becomes distrustful. He and his men enter the mine. But Putnam hopes to reach a peaceful solution and enters the starship ...
Earth in its 1950s AD. A spaceship lands in Washington, DC. An alien called Klaatu (Michael Rennie) and his super-powerful robot Gort (Lock Martin) have brought an important message addressing human beings of all nations. Unfortunately, communication appears to be hard at times, which provokes Klaatu to study this planet. He lives among people, collects information, then eventually he reveals himself. What this alien ambassador tries to learn is why humans keep cruelly fighting with each other through long centuries.
Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami).
