When Bond investigates mysterious activities in the world diamond market, he discovers that the evil Ernst Blofeld (Charles Gray) is stockpiling the precious gems to use in a deadly laser satellite capable of destroying massive targets on land, sea and air. Bond, with the help of beautiful smuggler Tiffany Case (Jill St. John), sets out to stop the madman, but first he must grapple with a host of enemies. He confronts offbeat assassins Mr. Wint and Mr. Kidd, as well as Bambi and Thumper--two scantily-clad beauties who are more than a match for Bond in hand-to-hand combat! Finally, there's the reclusive billionaire Willard Whyte (Jimmy Dean), who may just hold a vital clue to Blofeld's whereabouts.
A thief (Duke Anderson) just released from ten years in jail, takes up with his old girlfriend (Ingrid) in her posh apartment. He makes plans to rob the entire building. What he doesn't know is that his every move is recorded on audio and video tape, although he is not the subject of any surveillance.
In August of 1940 in the English village of Pepperinge Eye, three cockney orphans are sent to live with Eglantine Price (Angela Lansbury), who is studying to become an apprentice witch. When she receives a letter from the Correspondence College of Witchcraft in London, she and the children fly on a bed (by way of a magic bedknob) to London to meet the headmaster of the defunct school, Emelius Brown (David Tomlinson). At a townhouse where Mr. Brown is staying, Miss Price finds half of a book called THE SPELLS OF ASTOROTH. For the other half, they deal with a shady character known as the Bookman (Sam Jaffe).
During the civil war, injured Yankee soldier, John McBurney is rescued on the verge of death by a teenage girl from a southern boarding school. She manages to get him back to the school, and at first the all-female staff and pupils are scared. As he starts to recover, one by one he charms them and the atmosphere becomes filled with jealousy and deceit.
Big Jake McCandles is on the trail on bandits in this action drama that stretches from Texas to Mexico. It's 1909, and the Old West is giving way to modern times. When the outlaw gang led bu vicious John Fain raids Jake's ranch and kidnaps his 8-year-old grandson, Jake's wife, whom he hasn't seen in 18 years, sends for her husband to rescue the boy. While the law gives chase in rickety automobiles, Jake saddles up with an Indian scout, a faithful dog, and a box of money. But paying ransom isn't Jake's idea of good old frontier justice.
Billy Jack is a half-Indian/half-white ex-Green Beret who is being drawn more and more toward his Indian side. He hates violence, but can't get away from it in the white man's world. Pitting the good guys, the students of the peace-loving free-arts school in the desert vs. the conservative bad guys in the near-by town, the movie plays definitive late-60s themes/messages: anti-establishment, make love not war, the senseless slaughter of God's creatures, the rape of society (figuratively and literally), two-sided justice, racial segregation and prejudices, and basic socialist ideals.
A group of adolescent boys, placed in a summer camp by their otherwise too busy parents, find themselves unable to fit in and are soon branded as bedwetters by their fellow campers and unsympathetic counselor. After their counselor exposes them to what they perceive as a cruel slaughter of corralled bison, these misfits are soon drawn to a common purpose to break free of their camp and free the bison. On their way to free the bison, individual flashbacks reveal the relationships each has with his own family and give insight to their reasons behind wanting to set the bison free. Karen and Richard Carpenter's singing of the title song occurs now and again throughout the movie to underscore the the drama.
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? (2 more taglines...)
Alex, a violent juvenile in the near future, is caught after a number of brutal rapes and murders. While imprisoned, he submits to a controversial experiment to make criminals ill at the mildest suggestion of violence or conflict. Now Alex's victims want to welcome him back into society with the same enthusiasm Alex had always exhibited when performing his crimes.
San Francisco is being terrorized by a sniper who calls himself Scorpio, and Scorpio kills Diana Davidson as she swims in a pool. Inspector Harry Callahan is known as Dirty Harry. Dirty Harry is a widower, his wife having been killed in an auto accident. He lives to make the existence of his superiors a miserable one, and he refuses to play by the rules. Dirty Harry doesn't wear Kevlar and he doesn't carry an arsenal of automatic weapons. All he needs is his .44 magnum. Six shots doesn't seem like much, but it's enough when you rarely miss and a single shot can knock you into the next millennium. Dirty Harry handles the search for Scorpio, and ends up stopping three men from robbing a bank. Known for bringing bad luck to his partners, Dirty Harry reluctantly accepts new partner Chico Gonzalez on the orders of Lieutenant Al Bressler. Dirty Harry even gets chewed out by the mayor. Scorpio promises to kill a black person and a priest if the city doesn't give him $100,000. Nearly caught, Scorpio doubles the ransom, kidnaps a 14-year-old girl, and buries her alive, giving the police a limited time to cough up the money before she suffocates. Dirty Harry follows Scorpio's instructions for the delivery, which results in Chico getting wounded. Dirty Harry tracks Scorpio to Kezar Stadium, the home of the San Francisco 49ers. Scorpio is running across the football field, and Dirty Harry calmly takes aim and nails him in the leg at the 50-yard line. The shot lifts him up and flips him over. Dirty Harry tortures Scorpio into revealing the girl's hiding place. She's found dead and Scorpio is released due to Dirty Harry's unorthodox procedure. Later, Scorpio takes over a school bus. And Dirty Harry is the only one who can take Scorpio down.
David Mann ('Dennis Weaver (I)' (qv)) is just a regular family man on a business trip. Unfortunately, things go from bad to worse when a huge gasoline truck in front of him forces him to drive slower than he wants. As the drive continues, Mann realizes that he's not dealing with just another road hog. Though he can never see the trucker's face, the driver proves to be psychopathic, starting to run Mann off the road and trick or force him into a number of deadly situations. As the horrific trip continues, Mann tries to lose the truck, but each time he thinks he's finally in the clear, the truck returns to terrify him more. Finally, the horrific conflict builds to a point where he realizes that running won't save him, and that he must take a stand and fight back against the insane trucker.
The third chapter of the Apes saga. Two intelligent simians from the future, Cornelius and Zira travel to present-day Earth. They become instant sensations, wined and dined and treated like celebrities — until a high-level plot forces them to run for their lives!
Film version of the stage musical, based on the stories of Sholom Aleichem. Tevye the Milkman is a Jewish peasant in pre-Revolutionary Russia, coping with the day-to-day problems of 'shtetl' life, his Jewish traditions, his family (wife and daughters), and state-sanctioned pogroms.
William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed.
Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda's nerves on edge. The real terror begins, however, when the child's biological father appears after recently escaping from a nearby mental institution.
By this time, Gojira, defender of the Earth, has become a national phenomenon, akin to the Loch Ness Monster, especially with children, ingrained into the Japanese conciousness. However, the Japanese people still don't realize that destroying the earth will summon the millennias-old protector. A young boy finds a dangerous monster that thrives on toxic waste that he names Hedorâ, a pun on the Japanese word for sludge, "hedoro." In his dreams, he wishes for Gojira to defeat Hedorâ and, hopefully, persuade people to stop polluting the earth. Gojira, coincidentally, fights the monster because of the destruction to the environment.
A young American soldier (Joe) in WW I is wounded by a landmine. He loses his arms, legs and eyes as well as his ability to hear, speak or smell. Lying in hospital, he is not able to distinguish if he is awake or if he is dreaming. Trying to find out, he relives his story in strange dreams and memories. One day, Joe finds a way to communicate with the doctors...
After a businessman disappears the FBI draw a blank except for some unpleasant letters he wrote to a call-girl. His small-town friend John Klute travels to the big city to seek her out. At first their relationship is wary, and she sees him as just another guy to manipulate. But someone may already be stalking her, and as Klute's activities add to the danger a bond of sorts starts to grow.
While passing through the town of Bannock, a bunch of drunken, trail-weary cattlemen go overboard with their celebrating and accidentally kill an old man with a stray shot. They return home to Sabbath unaware of his death. Bannock lawman Jered Maddox later arrives there to arrest everyone involved on a charge of murder. Sabbath is run by land baron Vince Bronson, a benevolent despot, who, upon hearing of the death, offers restitution for the incident. Maddox, however, will not compromise even though small ranchers like Vern Adams are not in a position to desert their responsibilities for a long and protracted trial. Sabbath's marshal, Cotton Ryan, is an aging lawman whose tough reputation rests on a single incident that occurred years before. Ryan admits to being only a shadow of what he once was and no threat to stop Maddox. Maddox confides to Ryan that Bannock's judicial system is weak and corrupt, and while he's doubtful that anyone he brings back will suffer more than the price of a bribe, he will not be deterred in his unrelenting pursuit of his duty. Initially Bronson appears willing to make concessions, but when his oldest friend Harvey Stenbaugh is killed after deliberately picking a fight with Maddox, Bronson digs in his heels with the rest of the town to resist the relentless lawman.
Two youngsters declare to their parents that they want to get married. Not sometime in the future but as soon as possible. The story is told from the children's point of view.
